At long last, I’ll be the true social butterfly I was meant to be, and no one can say otherwise. I, a grown-up lady, will finally be allowed to dance the waltz, to step and turn amidst so many happy adults…and be one of them. Dare I even dream that Detective Chief Inspector Spindson might ask for a dance? He usually refrains from any dancing, but perhaps the stars will align in my favor on such a magical night.
— from the diary of Chrysalisa Flutterbey
We’ve featured several Comic Con-themed posts this past month to celebrate Candice’s first convention adventure, and now we invite you to step back in time a few weeks for a reflection of our last triptych, Gentlebugs of Lacewing Manor. The gentlebugs will welcome you at any of their fashionable gatherings, although you may want to bring your own tea and food, unless milkweed brulée and pollen tarts are up your alley!
Before Chrysalisa’s debut, before the waltz, before Chrysalisa herself, we had Candice’s first work-in-progress trio of portraits to springboard our ideas. Candice also noted that these anthropomorphic characters belong to the same universe as her Monocle Mantis, a dapper gent with a steampunk-esque flair to his attire, but aside from that introduction, Holly and I had completely free reign. We were two intrepid explorers on the brink of uncharted territory, eager
to boldly go where no one had gone before yet mapless, unsure of the path to forge ahead. (Forgive me, I saw Star Trek over the weekend.)
The daydreamer in me has fantasy on the brain pretty much all the time, so perhaps it was natural for my brainstorming to gravitate toward the Regency/Victorian-era + magic books I’ve read and enjoyed: Patricia C. Wrede’s Mairelon the Magician and The Magician’s Ward duo, and most recently, Newt’s Emerald by Garth Nix. (If you know of any other good ones, shout ’em out in the comments!) Both alternate-history universes share the imaginative element of magic as well as the more historically-accurate social settings: sweeping manors, twilight parties thrown by the wealthy, young ladies’ debuts into society, dances…
With these various scenarios swirling around in my head, I latched on quickly to the dance theme. Every dance needs music! And thanks to yet another external inspiration–Joe Hisaishi’s delightful main theme for Hayao Miyazaki’s animated film Howl’s Moving Castle–I knew I would have a lot of fun composing a waltz. Waltzes are also fitting for the era, and in that period have the added social context that only young women who have debuted in society are permitted to dance them. Because, you know, Propriety and All That.